

As part of thesis and analysis of T-shirts...I'm basically going to transpire my theoretical analysis from various writers such as Roland Barthes, Allison Lurie, Malcom Barnard and Caroline Evans (from my first chapter) through the case studies of film. I'll basically make clear how the formation of identity via the T-shirt have been enforced from the spectacle of film, especially in how they support and construct an overall narrative.
Firstly, i want to make clear how the T-shirt raised eye-brows to the rebel- teen look, which kicked off in the 50's. Already realising how this topic has been deeply dissected and torn apart from other fashion/ film writers; i want to see how relevant the t-shirt is on more contemporary studies like The O.C for example: Ryan Atwood's character can be instantly comparable to that of Jame's Dean character (Jimmy).

